The Stagnation of Video Game Music: A Critical Analysis

The world of video game music has reached a point where developers are content with mimicking the style of Hollywood blockbusters, according to Final Fantasy composer Nobuo Uematsu. As one of the industry’s most celebrated composers, Uematsu has expressed concern that this trend is hindering the advancement of video game music. His iconic works, such as Final Fantasy VII’s One-Winged Angel and Final Fantasy VIII’s Liberi Fatali, stand as testaments to his expertise in the field. However, he believes that the industry is at risk of stagnation if it continues to prioritize movie soundtrack-like music in games.

Hardware Limitations Sparked Creativity

Uematsu reflected on his early career, highlighting how hardware limitations served as a driving force for creativity. The constraints imposed by platforms like the NES and SNES forced composers to think outside the box and find innovative ways to work around limited memory and sound capabilities. Even the loading times of CD-ROMs on the first PlayStation influenced Uematsu’s approach to composing tracks that wouldn’t result in extended wait times during gameplay. These challenges inspired him to experiment with compressed samples and unconventional musical styles, leading to groundbreaking compositions.

The veteran composer emphasized the importance of freedom and experimentation in music creation. Uematsu suggested that composers need to push boundaries and ask themselves, “What is something only I can do?” By leveraging their unique knowledge and experiences, musicians can inject creativity and originality into their work. Uematsu argued that game music would become more engaging if composers approached their craft with a sense of individuality and authenticity, steering away from formulaic approaches.

Avoiding Artificial Intelligence Solutions

In a world where technology is rapidly evolving, Uematsu cautioned against relying on artificial intelligence to churn out music. He stressed the significance of human emotions and personal expression in creating music that resonates with players. Uematsu believed that true innovation in video game music comes from delving deep into one’s inner self to discover distinct aspects that set them apart as artists. As someone deeply entrenched in the music industry, Uematsu’s stance against AI-generated music underscores the value of human creativity and ingenuity.

Uematsu pointed to the era of 8-bit games as a prime example of the emotional impact and immersive power of human-made music. In a time when visuals and voice acting were limited by hardware constraints, music played a pivotal role in evoking emotions and enhancing the overall gaming experience. Uematsu’s contributions to the Final Fantasy series, spanning from its inception in 1987 to recent installments like Fantasian and Final Fantasy 7 Rebirth, showcase the enduring impact of handcrafted music in video games.

Nobuo Uematsu’s critical analysis sheds light on the challenges facing the video game music industry. By breaking free from the confines of Hollywood-style soundtracks, embracing creative freedom, and preserving the human touch in music creation, composers can pave the way for innovation and evolution in this dynamic field. As technology continues to evolve, it is essential to uphold the principles of individuality and authenticity in crafting memorable and impactful video game soundtracks.


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